Monday, 1 March 2010
Lost Gem of the Week
Saturday, 27 February 2010
BRL.. 90s Hip-Hop par deux...
A Tribe Called Quest

Ahmad

Beats, Rhymes and Life... 90's Hip-Hop
Hip-Hop as a genre has long forgotten its original, rebellious roots. It's music was powerful and emotive. It's social commentary gave a voice to a generation who needed to be heard. The voice was versatile, it could be raw but then fresh and funky in the next breath. Today, it has even kissed its refreshing, rhythmical beats goodnight. Instead it has welcomed basic, mundane, bass-driven beats that ride under sloppy southern drawl. Lucrative endorsement deals, jewellery and greed- the most deadly of all- is choking the message out of Hip-Hop.
If you think that this is just another 'Hip-Hop is dead' rant, you are mistaken. Hip-Hop is still breathing. There are still artists bringing truth to the mainstream. You just have to search harder to find them amongst the conveyor belt of sound-a-like 'MCs' churned out by the manufacturing line.
This post is an appreciation for the heyday of Hip-Hop creativity. Check out some of my personal 90s highlights to see what I mean.
Common - I Used to love H.E.R

Souls of Mischief - From 93' till infinity

Introducing...Beats, Rhymes and Life
Monday, 15 February 2010
Hot Track Attack
Erykah Badu- 'Window Seat'

Mama Badu is back folks! She has dropped this teaser from her new album 'New Amerykah Part 2: Return of the Ankh' and I admit that I am all over this track like butter on toast!! I love me some Badu at the best of times but this smooth, soulful groove is a winner. This song is so beautiful, it's a perfect Spring/Summer jam. I will be blasting this even in this cold February month to musically transport me to a sexy, warm place.
- Rihanna- 'Rude boy'
- José James- 'Park Bench People'
I am sorry to announce that before this week I was unfamiliar with this phenomenal musician's work. But, when I finally did get clued up, I was blown away by his material. This cut in particular was an absolute stand out. The Brooklyn based singer delivers street poetry at its best. - Flying Lotus- 'Fall in Love'
A stunning, laidback groove and a perfect tribute to one of the world's best producers- the late great James 'J Dilla' Yancey. Flying Lotus has done Dilla proud and I am constantly pumping this track in tribute to the man. I just love this one!
White singers, black industry
Is the black music industry so cutthroat that two of the most premier white R&B singers have to subject themselves to a piano battle, in order to oust the other one from prime position? Is it really that impossible to have two respected white R&B singers in the game at the same time?These are some of the questions that have sprung to mind after finding news that the late 90's R&B counterpart Robin Thicke to piano themed battle. The ridiculous, not-so-ultimate test of masculinity is a concept which was conceived by B during an interview in which he was quizzed about his feeling on up and coming artists.
We can take the angle that this whole stupid scenario is borne out of Jon B's insecurities. B obviously feels that his legacy as the original soulful white guy is being threatened by Robin Thicke. However, Thicke himself has reacted in a similar way with his early comparisons with Justin Timberlake.
Thicke appeared on DJ Ronnie Herel's BBC 1xtra radio show a few years ago, around the time that he was becoming well-known for his single "Lost without you." Herel attempted to compliment him by suggesting that his type of soul and subsequent success was similar to the likes of Justin Timberlake. This implication was not taken well. Thicke viciously shrugged off the comparison whilst slating the authenticity of Timberlake's style of 'soulful' music in the same breath.
It is understandable that every person needs to be respected as an individual. It is true that the industry spends far too long trying to typecast and define an artist's particular sound. So it's really no wonder why every minority singer in the recording business has to fend off comparisons to the next artist who has a similar profile to them.
The has been best illustrated by just about every white hip-hop artist who has followed into the game after Eminem.
But, do artists really need to bring down their peers in order to break free from typecasting?
Why is it that two talented acclaimed artists feel the need to prove themselves to be better than the next white R&B singer?
Jon B is a classic artist, full stop. His records, "They Don't know", "Cool Relax" and "Lately" have earned him a legion of loyal fans who look back to his glory days in adoration. Robin Thicke is equally as talented. His songs such as "Lost without you", "Magic" and "Sex Therapy" have earned him commercial and critical success.
Both artists have been embraced wholeheartedly by the black music industry. Jon B worked with Tupac on the 90's classic "Are you still down" whilst; Robin Thicke has worked with respected artists such as Jay-Z and Mary J Blige. They were embraced not because they were token white singers but because their talent has transcended all boundaries, including race.
Jon B should have never decided to wage war with Robin Thicke. He should have let his musical credentials speak for themselves rather than challenge a man who is currently more commercially successful than he is. In the end he has made himself look like an artist who is struggling desperately to stay relevant. What he failed to see is that in criticising an artist who is at the top of his game, he may be speeding up his own departure from public consciousness.
Thursday, 11 February 2010
Pink shines at the Grammy's
I have always loved Pink, but this talented and underrated songstress really outdid herself at this year's Grammy awards.
Her performance of 'All that Glitters' was beautiful beyond words.
The artistry, creativity and flair that Pink demonstrated is a rarity in the industry today. She has put her counterparts to shame. Her performance was stunningly elegant and poised. The simplicity of the lyrics and vocal arrangements teamed with the beautiful performance art that Pink and her team created made for a historic Grammy performance.
Pink, the rebel with a cause singer has proved her point. She is a true artist of a different calibre to those who mime and use gimmicks to be at top of the charts. Her vocals were flawless even when she was flying high above the crowd.
At the end of the piece, Pink was given the standing ovation that she deserved. I am so pleased to know that so many other people share my sentiments.

